Friday, October 02, 2009
Another Throwback Saturday
The Curious Case of Benjamin Button Review
It's quite rare that a movie leave me speechless; The Curious Case of Benjamin Button happens to be one of those gems. It's a film unlike any I've ever seen - an epic story encompassing every single chapter of one's life, lead through wonderful direction and delivered with sheer simplicity and a tantalizing musical score. I will admit the film is quite demanding emotionally, forcing you to experience every death in Benjamin's life, but we also experience his joys and momentous adventures as well. Even at 3 hours, by the end of the film you'll only wish there was more to tell. I must say without a doubt this graceful depiction of life, love, and the things we lose should not go unnoticed. Big kudos to Finch on this one. 9.1/10.
Searching for the Perfect 0.38 Gel Pen
So I have a confession. I'm obsessed with gel pens. Like a 7th year old girl, yes. And not just any gel pen. They must be at 0.38mm in size, light, and be shelf stable for at least a year when not in use. I've summed up my top picks from my 14 years of research below (okay, maybe 2 months):Dong-A 3-ZERO 0.38 Gel Pens - These Korean-manufactured guys are rare. Really fricking rare. And one of my favorite pens of all time. I lucked out recently by finding them sold on eBay by some guy in New York, but it looks like it's going to be impossible to replenish my collection after my last Dong-A pen gets used up. They tend to go from $0.75 to $3 a piece.
Don't believe me? Just purchase a couple (if you can find 'em) and try it out for yourself. Believe me, you won't be disappointed. I am the pen expert, after all.
Uni-ball Signo DX UM-151 Gel Pens - Made to rival the G2 Pilot, these guys clog less, are thin like the Dong-A's, and come in more colors than most. They go for about $2.25 a piece.
Pilot G-2 Retractable Gel-Ink Pens - These are the perfect office pens. They're cheap, flow great (when they work), and have similar qualities of the Dong-A in pen stroke. You also get a sweet rubber grip, which helps when you've got greasy fingers. They go for $1.30 a piece when bought in bulk.
Thursday, October 01, 2009
DJ Maar Gets Selbyfied
It's always nice to draw some inspirations from some of your favorite artists and designers, and I especially love it when they show me their homes. The clustering of ideas. The context of inspiration. I love every moment of it.
Wednesday, September 30, 2009
Temporarily Stuck in Japanese Party Mode
Okay, twins. Switch! It's only been 5 weeks into my HCI program and I've pretty much been forced to change up my entire routine from sun up to sun down. Luckily, I was able to squeeze in some Japanese Street Fighter 4 tonight, along with some funky dancing. Now - ready for round two.
Dragonette - Pick Up The Phone (MP3)
Simian Mobile Disco - Audacity of Huge (MP3)
Monday, September 28, 2009
Google Suggestions
Sunday, September 27, 2009
Variations on Themes
People are a strange bunch. As individualistic as any person may seem, patterns will eventually emerge, indicative of a structure that controls the variation on themes across the entire human population. These themes are extractable; you just need the right set of tools.
It's best to start off simple. Because the sheer complexity of these themes, we need a means to create representation. Using physical models such as affinity diagrams, we can consolidate a team's thinking all onto a single white board - a cohesive gel of relationships revealing common issues and their themes.
We do the affinity tango when we've got "just the right amount of data." This constitutes to about 10-20 people on average, with about 50-100 notes from each person (though this varies depending on the size of the problem space). So, unless you have a wedding reception to attend to, you're going to be at it for a while.
Now, let's start. You build the affinity diagram from the bottom up - like SimTower. Not knowing what the top's going to look like, you hoard similar ideas together, using inductive reasoning to develop new design inquiries for every note. As you start to build up, you'll start to notice a string of common patterns.
Once you've accumulated enough support for a particular pattern, you can group these manageable chunks of data into even higher-order groupings. Eventually, you can use these hierarchical towers to tell a story of an entire population. Taken together, the consolidated models provide a detailed outline about work needed to inform a design.
Corn Con Queso Fresco Recipe
Now here's a goodie to boost your mood for the weekend. Whether it be dealing with the stormy weather on the East coast or blazing sun on the West, there's nothing like some grilled corn with paprika and queso fresco.
- 2 tablespoons butter
- 1 tablespoon ground cumin
- 1 tablespoon paprika
- 1 teaspoon cayenne pepper
- 2 tablespoons chopped cilantro leaves
- Salt
- Freshly ground black pepper
- 4 corn on the cob
- Queso fresco cheese
- Lime wedges
Heat oven to 375 degrees F.
Combine the butter, cumin, paprika, cayenne pepper, cilantro, salt and pepper, to taste.
Rub corn with the butter mixture. Wrap in foil and put in the oven. Cook for 20 to 25 minutes. Unwrap from foil, top with queso fresco and a squeeze of lime. Serve immediately.
Vintage Goes Mainstream
Used to be only the cool shabby chic kids could grab a retro piece of hardware and call it theirs. A "thrift" find, they would call it. Nowadays, you can grab the same pieces at UO, given you're willing to pay the hipsterism premium...
Saturday, September 26, 2009
Fail, A Good Thing
A couple notes to self:
When practicing interaction design, one must extensively produce rationales behind every aspect of the prototype. This includes, in part, deep creation of personas, complete with pictures and an outline of all their hobbies, passions, and beliefs - the works. That way, if and when there are road blocks, it's always possible to check back with the persona to receive valuable feedback regarding any questionable features in your design.
Usability tests are vital. More often than not, these are found to be more advantageous than any perfected creationist process or professionals' 2 cents. The users are the experts here. Conduct broadly and note all forms of feedback. Adjust, refine, and repeat.
Finally, one of the most important take away points is understanding the necessity of documentation. Simply because a design makes sense to you on paper, it merely resembles a series of scribbles to another colleague, project manager, or creative lead. Though it may seem quite obvious, you must always keep track of your thought process whenever and wherever possible. So, when it comes time for feedback, it will be in the form of edifying critiques about your design, not questions regarding its puzzling direction.
Thursday, September 24, 2009
Fun with Mannequins
Wednesday, September 23, 2009
Why We Need Things
If you can reduce our human evolution to one common theme, it's our gradual increasing dependency on "things." We, the people, who will own more than 400 appliances and electronic devices in our lifetime (Massimini, 1989). As a green-ist originally from the Bay Area, I can immediately point out the problem with this type of uncontrolled proliferation.
Aside from increasing resource depletion, the main problem lies in the intentionalities of man-made objects themselves. It's the need of having to improve on an existing product, whether it be to compete with another similar object or to simply "upgrade." It's how we gauge a better life with our psychological dependence on the cozy anthropocentric illusion of having control. And finally, it's the symbolic power of objects that help define who we are.
Like how the first Indian would carve his knife until sharper than any other man's in his tribe, the item he wields is an extension of his own will - a surrogate of sorts. Today, we have kinetic objects that help define us: cars, boats, and bikes. Or, for all the intellectuals out there, the act of accumulating art - fine or digital. As illogical as it is, the desire to display one's individuality is the largest driver in technological advancement, even more so than survival or comfort.
From the memories held in books to emotions held in music blaring from a stereo; all of these are experiences designed to control the cognitive entropy within our minds, tracking our greatest memories, and attaching us to objects that would essentially be without meaning if not for the contextual human connection. Hence, the paradox of human materialism isn't due to our desire to destroy our planet, but rather our need to transform the precariousness of consciousness into solid items (Csikszentmihalyi, 1981).
While the solution to this human ecological condition is probably no simple one-sentence answer, forcibly disciplining our consciousness may be the first step to a possible cure. That means inner control of Vietnamese Buddhist monk stature. Stepping away from objectified consciousness and realizing items are merely tools in our lives, not all-defining.
Though, to be completely honest, I do kind of enjoy being a materialistic goober, don't you?
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